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Open Access
The Struggle You Can’t See: Experiences of Neurodivergent and Invisibly Disabled Students in Higher Education
(Open Book Publishers, 2024-11-04) Lierman, Ash
This book offers a comprehensive review of current research on the higher education experiences of neurodivergent undergraduate students and those with invisible disabilities. Grounded in principles of social justice and equity, this work draws from design thinking, the neurodiversity model, and Universal Design for Learning, to explore the context of higher education in relation to neurodivergent and disabled students. The author discusses findings from literature on the experiences of students with ADHD, dyslexia, autism, psychiatric disabilities, traumatic brain injuries, and disabling chronic physical illnesses. The inclusion of students with chronic illnesses is particularly timely, given the rising prevalence of long COVID symptoms and other lasting health impacts among university-aged individuals. Moreover Ash Lierman, who has extensive experience of serving students marginalized students, gives voice to this community, thus providing both a synthesis of existing research, and highlighting the needs and challenges of the students themselves. The Struggle You Can’t See serves as a valuable resource for researchers and practitioners seeking to understand and support this underserved population, offering insights for transformational change in higher education.
Open Access
Diachronic Diversity in Classical Biblical Hebrew
(Open Book Publishers, 2024-11-11) Hornkohl, Aaron D.
According to the standard periodisation of ancient Hebrew, the division of Biblical Hebrew as reflected in the Masoretic tradition is basically dichotomous: pre-exilic Classical Biblical Hebrew (CBH) versus post-Restoration Late Biblical Hebrew (LBH). Within this paradigm, the chronolectal unity of CBH is rarely questioned—this despite the reasonable expectation that the language of a corpus encompassing traditions of various ages and comprising works composed, edited, and transmitted over the course of centuries would show signs of diachronic development. From the perspective of historical evolution, CBH is remarkably homogenous. Within this apparent uniformity, however, there are indeed signs of historical development, sets of alternant features whose respective concentrations seem to divide CBH into two sub-chronolects. The most conspicuous typological division that emerges is between the CBH of the Pentateuch and that of the relevant Prophets and Writings. The present volume investigates a series of features that distinguish the two ostensible CBH sub-chronolects, weighs alternative explanations for distribution patterns that appear to have chronological significance, and considers broader implications for Hebrew diachrony and periodisation and for the composition of the Torah.
Open Access
Knowledge: A Human Interest Story
(Open Book Publishers, 2024-11-21) Weatherson, Brian
In this book the author argues for a groundbreaking perspective that knowledge is inherently interest-relative. This means that what one knows is influenced not just by belief, evidence, and truth, but crucially by the purposes those beliefs serve. Drawing from classical Nyāya epistemologies, the book asserts that knowledge rationalizes action: if you know something, it is sensible to act on it—and the best way to square this with an anti-sceptical epistemology is to say that knowledge is interest-relative. While versions of this view have been debated, they haven’t gained wide acceptance. The author addresses common objections with a refined formulation and explores how this perspective elucidates the role of knowledge in inquiry, daily life, and the history of thought. Key distinctions include the impact of “long odds” situations on knowledge, the distinctive role knowledge has a starting point for inquiry, and the importance of using non-ideal models in theorising about knowledge. Building on decades of scholarship, the author offers a cohesive theory that integrates and clarifies previous works, demonstrating that not only knowledge but also belief, rational belief, and evidence are interest-relative. This book is essential for those seeking a deeper understanding of the intricate relationship between knowledge and practical interests.
Open Access
Oblation: Essays, Parables, Paradoxes
(punctum books, 2024-11-06) Bowker, M.H.
Elements of this book, Oblation: Essays, Parables, Paradoxes, defy reason. They do so for good reason. Much of what we do, much of what we think, is oblation: sacrifice, offering, to something or someone. The root of “oblation” is “to draw near” or “to dwell in.” It refers to what is brought unto the altar, literal or proverbial — the profoundest oblation being what binds us together, our very souls, our dearest loves, indistinguishable from ourselves, our Isaacs on our Mount Moriahs. The natures of our oblations characterize our relationships to objects great and small, e.g., Lords and loved ones, groups and masses of signifiers. Oblative transactions promise meaning, yet we are full of uncertainty. What is it that cries out for oblation? How do we hear its voice? Are we, in fact, called, or do we, on the contrary, offer every bit gratuit? Why, as Albert Camus famously remarked, do “the stage sets collapse” as we offer ourselves to life’s routine? In Oblation, M.H. Bowker considers these questions in a series of essays touching upon figures such as Franz Kafka, Edgar Allan Poe, Baron van Münchhausen, and Jacques Lacan, unraveling themes of loss, hatred, and the Munchausen syndrome by proxy. Interspersed with brief parables and paradoxes, Bowker's essays push us to wonder who or what we are offering ourselves and others to – and how we get away with this.
Open Access
Digital Humanities in the India Rim: Contemporary Scholarship in Australia and India
(Open Book Publishers, 2024-11-06) Gurney, Myra; Cohen, Hart; Jana, Ujjwal
This varied collection delves into illuminating examples of Digital Humanities research and practice currently being undertaken by academics in India and Australia, and seeks to understand the shared challenges as well as the points of similarity and difference between them. From the influence of Netflix on International Relations to contemporary digital adaptations of Mary Shelley’s Frankenstein, via detours into erobotics (empathic robots) and the cultural specificity of online dating, these essays convey the distinctive breadth and imagination of research in this field. Digital Humanities is a relatively new discipline in the India Rim, and this novelty has created space for innovative research ideas, as well as the use of traditional methodologies and software in different ways within these unique cultural spaces that could potentially influence how Digital Humanities is conceptualised internationally. For example, drawing on Indian classical logic leads to novel designs and applications of computation. This lively volume offers a fresh look at the Digital Humanities and an important overview of the work taking place in a region other than the Western countries that typically dominate the field. It has much to offer both experienced researchers and those new to the Digital Humanities.
Open Access
Burning Diagrams in Anthropology: An Inverse Museum
(punctum books, 2024-11-21) Partridge, Tristan
Burning Diagrams in Anthropology examines the use of diagrams in anthropology to reimagine how we think about, and challenge, intellectual histories. Highlighting the impossibility of escaping what different disciplines and institutions deem to be “past,” the author combines critical analysis of selected diagrams with an expansive, exploratory reimmersion in their aesthetic, ethical, and political potential. Diagrams persist. Yet while other visual components of scholarly work – especially photography, cartography, and film – have been subject to significant critical scrutiny, diagrams have received far less reflexive attention. Reversing this trend, Partridge presents a collection of 52 diagrams, covering a period of 150 years, to create an “inverse museum” – a space where the collection matters less than reactions to it. While the images are drawn from sociocultural anthropology, they are discussed in dialogue with approaches from philosophy, postcolonial studies, architecture, aesthetics, posthumanism, and critical art theory. Dissecting the notion of The Canon in order to confront academic complicity in hierarchical and racialized relations of inequality, the figurative burning of the title refers to how we might prepare the ground for scholarly work that meets the immediate, collective needs of an Earth in crisis – not least, by refusing adherence to disciplinary normalcy. By refusing this adherence, Partridge reaffirms knowledge creation in general, and anthropology in particular, as deeply ethical, creative, and relational processes.
Open Access
Heavy Processing
(punctum books, 2024-11-27) Cowan, T.L.; Rault, Jas
What happens when we take the joke of “lesbian processing” seriously as a research method? Heavy Processing does just this, by tracing the multi-directional genealogies and vast affinities of processing-heavy methods as innovations in information technologies (operating systems, central processing units, network designs). Part methods handbook, manifesto, and survival guide, this book opens up the fields of information studies, data studies, digital media studies, and digital humanities to critical digital methods, information technologies, and infrastructures: trans- feminist and queer (TFQ) cultural protocols and ways of working. Cowan and Rault offer heavy processing as a maximalist research method, consistent with a long and proud lesbian-leaning TFQ tradition of making a mountain out of a molehill. Heavy Processing draws together activist, artistic, and scholarly work that is both about and not about digital materials to critically reorient digital research methods calibrated for accountability, relationship-building, and trust as measures of scholarly rigor. A raging romp of a methods manual, Cowan and Rault offer an alternative to mass digitization in the form of TFQ processing for analog and born digital materials. They write for students, faculty, and researchers, as well as for information, cultural heritage, and tech-sector professionals; for anyone interested in digital media and feminist, queer, and transcultural studies; and for anyone who has ever been studied. Cowan and Rault offer heavy processing as a maximalist research method, consistent with a long and proud lesbian-leaning TFQ tradition of making a mountain out of a molehill. Heavy Processing draws together activist, artistic, and scholarly work that is both about and not about digital materials to critically reorient digital research methods calibrated for accountability, relationship-building, and trust as measures of scholarly rigor. A raging romp of a methods manual, Cowan and Rault offer an alternative to mass digitization in the form of TFQ processing for analog and born digital materials; they write for students, faculty, and researchers, as well as for information, cultural heritage, and tech-sector professionals, for anyone interested in digital media and feminist, queer, and transcultural studies, and for anyone who has ever been studied.
Open Access
No Prices No Games!: Four Economic Models
(Open Book Publishers, 2024-11-13) Richter, Michael; Rubinstein, Ariel
While current economic theory focuses on prices and games, this book models economic settings where harmony is established through one of the following societal conventions: • A power relation according to which stronger agents are able to force weaker ones to do things against their will. • A norm that categorizes actions as permissible or forbidden. • A status relation over alternatives which limits each agent's choices. • Systematic biases in agents' preferences. These four conventions are analysed using simple and mathematically straightforward models, without any pretensions regarding direct applied usefulness. While we do not advocate for the adoption of any of these conventions specifically – we do advocate that when modelling an economic situation, alternative equilibrium notions should be considered, rather than automatically reaching for the familiar approaches of prices or games.
Open Access
100 Chinese Silences
(punctum books, 2024-10-05) Yu, Timothy
There are one hundred kinds of Chinese silence: the silence of unknown grandfathers; the silence of borrowed Buddha and rebranded Confucius; the silence of alluring stereotypes and exotic reticence. These poems make those silences heard. Writing back to an “orientalist” tradition that has defined modern American poetry, these 100 Chinese silences unmask the imagined Asias of American literature, revealing the spectral Asian presence that haunts our most eloquent lyrics and self-satisfied wisdom. Rewriting poets from Ezra Pound and Marianne Moore to Gary Snyder and Billy Collins, this book is a sharply critical and wickedly humorous travesty of the modern canon, excavating the Asian (American) bones buried in our poetic language.
Open Access
Insolubles: Critical Edition with English Translation
(Open Book Publishers, 2024-10-17) Segrave, Walter; Bartocci, Barbara; Read, Stephen
Paradoxes, such as the Liar (‘What I am saying is false’), fascinated medieval thinkers. What I said can’t be true, for if it were, it would be false. So it must be false—but then it would be true after all. Attempts at a solution to this contradiction led such thinkers to develop their theories of meaning, reference and truth. A popular response, until it was attacked at length by Thomas Bradwardine in the early 1320s, was to dismiss such self-reference as impossible: no term (here, ‘false’) could refer to (or in medieval terms, “supposit for”) a whole, e.g., a proposition, of which it is part. In light of Bradwardine’s criticisms, Walter Segrave, writing around 1330, defended so-called restrictivism (restrictio) by claiming that such paradoxes exhibited a fallacy of accident. The classic example of this fallacy, the first of Aristotle’s fallacies independent of language, is the Hidden Man puzzle: you know Coriscus, Coriscus is the one approaching, but you don’t know the one approaching since, e.g., he is wearing a mask. But Aristotle’s account is unclear and Segrave, building on ideas of Giles of Rome and Walter Burley, shows how the fallacy turns on an equivocation over the supposition of the middle term or one of the extremes in a syllogism. Thereby, Segrave is able to counter Bradwardine’s arguments one by one and defend the restrictivist solution. In this volume, Segrave’s text is edited from the three extant manuscripts, is translated into English, and is preceded by a substantial Introduction.
Open Access
Rāgs Around the Clock: A Handbook for North Indian Classical Music, with Online Recordings in the Khayāl Style
(Open Book Publishers, 2024-10-02) Clarke, David; MUSIC_Rajput, Vijay
Rāgs Around the Clock is a rich and vibrant compendium for the discovery and study of North Indian classical music. The theory and practice of rāg are explored through two interlinked resources: a handbook of essays and analyses offering technical, historical, cultural and aesthetic perspectives; and two online albums – Rāg samay cakra and Twilight Rāgs from North India – featuring khayāl singer Vijay Rajput and accompanists. Extracts from the albums are also embedded into the text to enhance learning and understanding. Each rāg is accompanied by a description of its chief characteristics and technical features, a notation of the song (bandiś) on which the performance is based, and a transliteration and translation of the song text. Distinctively, Rāg samay cakra also includes spoken renditions of each of the texts, helping non-Hindavi speakers to achieve the correct pronunciation. Sharing insights from both theory and practice, this collection draws on recent scholarship while also showcasing the vocal idiom – the gāyakī – of Vijay Rajput, a disciple of the late Pandit Bhimsen Joshi. It offers invaluable reading for students and researchers of Indian classical music, world music and ethnomusicology, and a rich repository for teacher and student practitioners of the khayāl vocal style. The combination of an aural and written exploration of rāg will appeal to anyone drawn to this form of music – whether newcomer, student (śiṣyā) or aficionado (rasika).
Open Access
Nouvelles études sur les lieux de spectacle de la première modernité
(Open Book Publishers, 2024-10-08) Leichman, Jeffrey M.; Beaucé, Pauline
Les théâtres du passé : des théâtres virtuels ? C’est une des questions passionnantes explorée dans ce livre par des chercheurs et chercheuses en littérature, musicologie, histoire, études théâtrales, histoire de l’art, architecture et sciences du numérique. Ces Nouvelles études sur les lieux de spectacle de la première modernité proposent de relever un défi épistémologique autour de la notion de virtuel pour la recherche en histoire du théâtre en engageant différents formats de réflexion : entretiens, articles multimédia, brèves de méthodologie, exposition virtuelle. L’objectif de ce volume est de situer le lieu de spectacle aussi largement que possible au carrefour des imaginaires et de ses usages pratiques. Ancrées dans le concret des archives, les contributions s’inscrivent dans la volonté d’un renouveau interprétatif en partant d’hypothèses rendues possibles par des perspectives contemporaines - nouvelles technologies, revalorisation d’objets autrefois jugés mineurs, intérêt pour les approches contrefactuelles. La diversité des objets de recherche, des méthodes et des résultats rassemblés éclaire non seulement l’histoire matérielle des spectacles de la première modernité, mais illustre aussi la nécessité de croiser les approches scientifiques pour renouveler la compréhension et la transmission des pratiques culturelles du passé.
Open Access
Redacted: Writing in the Negative Space of the State
(punctum books, 2024-10-27) Min, Lisa; Billé, Franck; Makley, Charlene
When it comes to the political, acts of redaction, erasure, and blacking out sit in awkward tension with the myth of transparent governance, borderless access, and frictionless communication. But should there be more than this brute juxtaposition of truth and secrecy? Redacted: Writing in the Negative Space of the State brings together essays, poems, artwork, and memes – a bricolage of media that conveys the experience of living in state-inflected worlds in flux. Critically and poetically engaging with redaction in politically charged contexts (from the United States and Denmark to Russia, China, and North Korea), the volume closely examines and turns loose this disquieting mark of state power, aiming to trouble the liberal imaginaries that configure the political as a left–right spectrum, as populism and nationalism versus global and transnational cosmopolitanism, as east versus west, authoritarianism versus democracy, good versus evil, or the state versus the people – age-old coordinates that no longer make sense. Because we know from the upheavals of the past decade that these relations are being reconfigured in novel, recursive, and unrecognizable ways, the consequences of which are perplexing and ever evolving. This book takes up redaction as a vital form in this new political reality. Contributors both critically engage with statist redaction practices and also explore its alluring and ambivalent forms, as experimental practices that open up new dialogic possibilities in navigating and conveying the stakes of political encounters.
Open Access
Phenomenology and the Philosophy of Technology
(Open Book Publishers, 2024-10-16) de Boer, Bas; Zwier, Jochem
Our contemporary world is undeniably intertwined with technology, influencing every aspect of human life. This edited volume delves into why modern philosophical approaches to technology closely align with phenomenology and explores the implications of this relationship. Over the past two decades, scholars have emphasized users’ lived experiences and their interactions with technological practices, arguing that technologies gain meaning and shape within specific contexts, actively shaping those contexts in return. This book investigates the phenomenological roots of contemporary philosophy of technology, examining how phenomenology informs analyses of temporality, use, cognition, embodiment, and environmentality. Divided into three sections, the volume begins by exploring the role of phenomenological methods in the philosophy of technology, and further investigates the methodological implications of combining phenomenology with other philosophical schools. The second section examines technology as a phenomenon, debating whether it should be analysed as a whole or through individual artifacts. The final section addresses the practical applications of phenomenological insights in design practices and democratic engagement. By offering a systematic exploration of the connection between phenomenology and technology, this volume provides valuable insights for scholars, students, and researchers in related fields, highlighting the continued relevance of phenomenological perspectives in understanding our technologically mediated world.
Open Access
Meta-Xenakis: New Perspectives on Iannis Xenakis’s Life, Work, and Legacies
(Open Book Publishers, 2024-10-09) Kanach, Sharon; Nelson, Peter
Meta-Xenakis offers readers a comprehensive collection of insights into the history, works and legacy of Iannis Xenakis, one of the twentieth century’s most significant creative figures. It presents a transcontinental engagement with his life and output, focusing as much on the impact of the questions he posed as on the accomplishments of his body of work. This volume evolved out of the multi-modal, international Meta-Xenakis Consortium’s artistic and scholarly events commemorating his centenary. Informative and comprehensive, contributions span subjects including music composition, creative pedagogy, aesthetics, game theory, architecture, and the social and political contexts in which Xenakis operated. The book is organized in eight sections, centered on different facets of Xenakis’s work and reception. It includes a digital archive of audio and visual media from the events staged throughout 2022, as well as computer software. Bringing into conversation the diverse perspectives and insights of researchers, musicians and artists, this volume serves as a foundational resource for future research on the life and work of Xenakis. It will be of interest to students, scholars, and practitioners across a range of disciplines including music, architecture, cybernetics and computation, and the digital arts.
Open Access
Grotesque and Performance in the Art of Aubrey Beardsley
(Open Book Publishers, 2024-10-11) Stead, Evanghelia
“If I am not grotesque, I am nothing.” This insightful study illuminates previously unexplored aspects of Aubrey Beardsley’s relationship to the grotesque and his use of media, particularly his manipulation of the periodical press. For the first time and with keen intelligence, Evanghelia Stead fully reveals the aesthetic importance of Beardsley’s Bon-Mots vignettes, as well as the relationship between Darwinism, his innovative foetus motif, and Decadence itself. Beautifully illustrated throughout, the book calls on histories of culture and aesthetics to show how the artist reworked traditional imagery and manipulated it beyond recognition—revealing for instance the influence of cathedral grotesques on Beardsley’s own grotesque performances. Stead also demonstrates his major impact on Italian, French, American and German creative minds through the periodical press. Rich in original thought and detailed, comparative analysis, this book is an invigorating and enlightening read for scholars of Aubrey Beardsley, as well as for anyone interested in nineteenth-century visual culture, art history, art criticism, print culture, illustration, grotesque iconography, and cultural history.
Open Access
Diversity across the Arabian Peninsula: Language, Culture, Nature
(Open Book Publishers, 2024-10-17) Gasparini, Fabio; Russell, Kamala; Watson, Janet C.E.
This edited volume brings together a diverse and rich set of contributions on the Arabian Peninsula. Ranging from history, field linguistics, and cultural studies these essays address the diversity of languages, ways of life, and natural environments that have marked the region throughout its history. The book stems from the intellectual exchange and collaboration fostered by a virtual workshop that met regularly in 2020-21 and which drew participants from within and beyond the academy. The contributions gathered in this volume highlight the need for a better understanding of a region that hosts a vast amount of culturally and linguistically diverse material, often in a precarious state of conservation. Diversity Across the Arabian Peninsula argues for the importance of holistic, community-based, and interdisciplinary approaches to linguistic endangerment and deep social and cultural changes: there is no documentation of language without attention to language use, the material lifeworld and its ecology, and social and cultural setting. Such research is enriched and made more impactful through collaboration with communities and scholars from the Global South. The essays in this volume thus spearhead a contextualized study of South Arabian linguistic varieties and their connection with the natural and cultural world they inhabit.
Open Access
The Ruins of Solitude: Maternity at the Limits of Academic Discourse
(punctum books, 2024-10-16) Bragg, Lette
What happens when love unravels one’s knowledge structures? In The Ruins of Solitude, after the birth of a child, Bragg embraces the event of love and examines the resulting disintegration of her supposed authorial subjectivity. Against the pressure to produce and organize knowledge—the pressure of writing a dissertation, for example—Bragg contemplates the poetic modes of thinking and ethics that emerge from her experience of reading continental philosophy while caring for her infant child. Dwelling on what she would have once excluded from her intellectual work—her maternity, the mole on her chest, her palm against another body, her exhaustion at the work of deconstruction—Bragg details a shift in her orientation and method that leads to creative theoretical thought, allowing her to illuminate and interrogate what she names “solitude,” a condition of academic discourse that limits our critical-liberatory projects of transformation. Ultimately, The Ruins of Solitude lets go of authority and mastery, and engages in a poetic and fractured writing style that lets in the relationality of thought. Bragg offers a philosophy of bodies beyond solitude and an intimacy of love and writing that fractures solitude, bringing forward the possibility of selfhood and authorship uncontained by the isolationist, tangible time of the present. Bragg's book also unravels familiar narratives of childcare, considering the parallels between poststructuralist theory and the embodied materiality of relation.
Open Access
boy says: (a book with no ending)
(punctum books, 2024-09-14) Ponce, Néstor
Where does your voice come from? The one you speak with, or the one you read with? What does it sound like when you read, silently, to yourself? There are the first influences, or at least the ones that first come to mind. But you quickly admit that there are others as well. The voices that emerged from different styles, tones, and patterns in books, stories, poems. From songs and television programs, family members and teachers. There are the voices that you don’t remember as voices, the words you don’t remember reading. This voice, this combination of symbols describing a translated book of poetry, for example, might be acknowledged as the very latest influence in your life. After leaving Argentina in exile during the dictatorship of the military junta (1976-1983), Néstor Ponce found his way to France, where he now lives. He has written that throughout his life, reading has connected him to a shifting, unstable set of voices—a community of readers and writers that crisscrosses borders of all kinds, unafraid of conflict and contradiction. boy says (a book with no ending) opens to that community with poems that are at once the words of one poet and the traces of an infinite number of poets, some of whom are explicitly named in the titles of the poems. This bilingual English–Spanish edition is an open library that is also a private one, made public. As you read, it might be difficult not to ask questions about Nazim Hikmet, Alejandra Pizarnik, Dina Posada, Eugenio Montale, Anna Greki, or Édouard Glissant. And it will be impossible to answer those questions without finding their books, opening them, and hearing your voice shaped by their and Ponce’s words.
Open Access
The Last Years of Polish Jewry: Volume 2: The Permanent Pogrom, 1935–37
(Open Book Publishers, 2024-09-16) Leshchinsky, Yankev; Brym, Robert
Ukrainian-born Yankev Leshchinsky (1876-1966) was the leading scholarly and journalistic analyst of Eastern European Jewish socioeconomic and political life from the 1920s to the 1950s. Known as “the dean of Jewish sociologists” and “the father of Jewish demography,” Leshchinsky published a series of insightful and moving essays in Yiddish on Polish Jewry between 1927 and 1937. Despite heightened interest in interwar Jewish communities in Poland in recent years, these essays (like most of Leshchinsky’s works) have never been translated into English. The Last Years of Polish Jewry helps to rectify this situation by translating some of Leshchinsky’s key essays. A thoughtful Introduction by Robert Brym provides the context of the author’s life and work. The essays in this volume, based on years of research and first-hand observation, focus on the period 1935-37. The rise of militant Polish nationalism and the ensuing anti-Jewish boycotts and pogroms; the increasing exclusion of Jews from government employment and the universities; the destitution, hunger, suicide, and efforts to emigrate that characterized Jewish life; the psychological toll taken by mass uncertainty and hopelessness—all this falls within the author’s ambit. Few works in English have the range and depth of Leshchinsky’s essays on the last years of the three million Polish Jews who were to perish at the hand of the Nazi regime. This book will be of interest to researchers and students of Eastern European history and society, especially those with an interest in Eastern Europe’s Jewish communities on the brink of the Holocaust.