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Open Access
Voices from Nubia: Critical Essays on Contemporary Nubian Literature from Egypt
(punctum books, 2024-08-01) Radwan, Mona M.; Mazhar, Amal; Morsy, Faten I.
The Nubians, the largest ethnic community in Egypt, saw their ancestral homelands disappear beneath the waters of the Nile from the dawn of the 20th century through to 1964. The massive displacement of this population has been the subject of numerous literary works by Nubian writers who seek to save their heritage from oblivion and to preserve their Nubian collective memory. Despite the renewal of socio-political interest in Nubia in post-2011 Egypt, the authors of Voices from Nubia, all non-Nubian Egyptians, claim that art in general and literature in particular remain the domain in which the problematics of what has been called the Nubian Question can be primarily vocalized. Only through a thorough reading and analysis of the literary output of Egyptian Nubians can the complexities of Nubia, its people, and culture can find full expression. The rich literary heritage of contemporary Nubian literature allows for a multiplicity of critiques that makes possible a reading of this literature that crosses the borderlines between literature, history, geography, politics, gender, and ethnicity. The diversity of themes and tropes in Voices from Nubia reflects a hallmark of Nubian literary output which is generally marked by a common feeling of solidarity around the Nubian cause. The array of critical studies included in the volume’s eight chapters covers a multiplicity of approaches: cultural, postcolonial, ecofeminist, and critical race theory. Voices from Nubia constitutes an attempt to go beyond the dichotomy between the activist Nubian writer who views the Nubian Question as a human rights issue and Arab-Egyptian nationalists who consider the discussion of Nubians as a distinct ethnic group or minority a threat to societal cohesion and national security. The editors conclude the book with interviews with three Egyptian Nubian writers belonging to different generations and expressing different positions with regards to the Nubian Question. It is thus hoped that this book will introduce the English-speaking reader to the rich tradition of contemporary Nubian literature from Egypt, written in Arabic. On the other hand, the book also forces the Egyptian-Arab reader to question some of the most cherished assumptions and ingrained ideas about the nature of culture, history, and identity. As such, Voices from Nubia has far-reaching implications for how we think about the diverse nature of our societies and nations.
Open Access
Etosha Pan to the Skeleton Coast: Conservation Histories, Policies and Practices in North-west Namibia
(Open Book Publishers, 2024-08-02) Sullivan, Sian; Dieckmann, Ute; Lendelvo, Selma
Etosha Pan to the Skeleton Coast examines the conservation histories and concerns of one of southern Africa’s most iconic conservation regions: the variously connected ‘Etosha-Kunene’ areas of north-central and north-west Namibia. This cross-disciplinary volume brings together contributions from a Namibian and international group of scholars and conservation practitioners, working on topics ranging from colonial histories to water management, perceptions of ‘wildlife’ and the politics of belonging. Together, these essays confront a critical question: how can the conservation of biodiversity-rich landscapes be reconciled with historical injustices of social exclusion and marginalisation? The book is organised in five parts: the first provides a historical backdrop for the book’s detailed case studies, focusing on environmental and conservation policy and legislation; the second investigates post-Independence approaches to conservation; the third focuses on ‘Etosha-Kunene’ ecologies and related management issues; the fourth explores how historical circumstances shape present conservation and cultural landscapes; and the fifth addresses contemporary complexities of lion conservation and community-based natural resource management (CBNRM). By offering a comprehensive overview of evolving conservation boundaries, policies and practices in the region, this timely volume paves the way for the future design of conservation initiatives that more fully consider and integrate historical and cultural knowledge and diversity. Essential reading for conservation practitioners, policymakers, and academic researchers alike, this volume also serves as a valuable resource for university students interested in conservation studies and histories of conservation.
Open Access
Thinking Blue / Writing Red: Marxism and the (Post)Human
(Open Book Publishers, 2024-08-08) Tumino, Stephen
Thinking Blue/Writing Red interrogates contemporary culture across a range of texts, from the pandemic (‘Covid’ and ‘Trump Speak’) to high theory (Melville's narratives) and popular culture (Beyoncé's ‘Formation’ and Super Bowl performance, Twin Peaks , metamodern ‘cli-fi’ films). Inspired by Derrida’s idea of the secret, Tumino examines the significance of social movements (Black Lives Matter, Occupy, alter-globalization) and naïve art (Darger, Ryden) to argue that these texts speak of the secrets that capitalism cannot speak. Contending that the cultural surfaces narrate only the ‘nonsecret,’ that to see the social logic of the culture one must dig into what Bruno Latour questions as the ‘deep dark below,’ Thinking Blue/Writing Red reads these texts to tease out the underlying narratives of the culture of capital. This book will be of interest to students in several disciplines, including philosophy, literary and cultural studies, film studies, women's studies, critical race studies, history, LGBTQ+ studies and environmental studies.
Open Access
An Annotated Corpus of Three Hundred Proverbs, Sayings, and Idioms in Eastern Jibbali/Śḥərɛ̄́t
(Open Book Publishers, 2024-08-14) Castagna, Giuliano
This book explores the rich paremiological heritage of Jibbali/Śḥərɛ̄́t, an endangered pre-literate language belonging to the Modern South Arabian sub-branch of Semitic, spoken by an ever-decreasing number of people in the Dhofar governorate of the Sultanate of Oman. Reflecting the historical value of proverbs and idiomatic expression within the documentation of a language, Giuliano Castagna analyses a sizeable share of Jibbali/Śḥərɛ̄́t proverbs, sayings and idioms from Arabic-language publications, as well as hitherto unpublished expressions that reveal undocumented features in the domains of lexicon, phonetics, phonology and morphology. Castagna’s grammatical analysis (phonetic, phonological and morphological) of these pieces of folk knowledge underpins the documentation of an obsolete lexicon. It is accompanied by a brief introduction to the study of proverbs (paremiology) and a succinct grammatical sketch of Jibbali/Śḥərɛ̄́t, making the book useful both to experts and to students of these topics.
Open Access
Taunting the Useful
(punctum books, 2024-08-06) Fromet de Rosnay, Louis Emile
In an epoch driven by hyper-consumption and marvelously destructive futility, and in the context of a hegemonic utilitarianism where one goes to university to work rather than to “develop a meaningful philosophy of life,” the concept of the useful is perhaps one most in need of interrogation. Taunting the Useful seeks to unsettle notions of usefulness and uselessness, not merely by deconstructing these terms, but by sidetracking them. It doesn’t reverse things by saying that what is useless is useful. Rather, taunting is teasing, heckling, tickling, scratching the useful. By elaborating a notion of the “virtual useless,” Taunting the Useful seeks to tease the dimensions of wonder, use, and play, through modalities, contingencies, and potentialities of the useless-useful. An experimental book, it (un)does what it tells, and is as much an object taunting and taunted as it is a description of taunting the useful. Includes bonus chapters!
Open Access
The Embassy, the Ambush, and the Ogre: Greco-Roman Influence in Sanskrit Theater
(Open Book Publishers, 2024-08-29) Morales-Harley, Roberto
This volume presents a sophisticated and intricate examination of the parallels between Sanskrit and Greco-Roman literature. By means of a philological and literary analysis, Morales-Harley hypothesizes that Greco-Roman literature was known, understood, and recreated in India. Moreover, it is argued that the techniques for adapting epic into theater could have been Greco-Roman influences in India, and that some of the elements adapted within the literary motifs (specifically the motifs of the embassy, the ambush, and the ogre) could have been Greco-Roman borrowings by Sanskrit authors. This book draws on a wide variety of sources, including Iliad, Phoenix, Rhesus and Cyclops (Greco-Roman) as well as Mahābhārata, The Embassy, The Five Nights and The Middle One (Sanskrit). The result is a well-supported argument which presents us with the possibility of cultural exchange between the Greco-Roman world and India – a possibility which, though hypothetical, is worth acknowledging. Due to its comparative nature, this volume will appeal to both Indologists and Classicists, including Mahābhārata scholars, Sanskrit theater scholars, and those interested in comparative work with Sanskrit literature. It brings an original perspective to the field, and provides inspiration for new lines of research.
Open Access
Atlas of Petromodernity
(punctum books, 2024-07-05) Klose, Alexander; Steininger, Benjamin
The Atlas of Petromodernity is many things in one: historical and geographical non-fiction, cultural theory essay, and picture book. In forty-four short essays, inspired by an equal amount of pictorial findings, Klose and Steininger develop a technical, geographical, political, and speculative panorama of the declining era of petroleum modernity. The authors stroll through Baku, Rotterdam, and Louisiana, into Manchuria and through the Vienna Basin. They read Bertolt Brecht, technical manuals, and petroculture theory, and they listen to Neil Young. They go to the moon, through refineries and over highways emptied by the COVID-19 pandemic. They confront petrochemistry with petromelancholy, catalysis with catharsis, cosmos with cosmetics. The Atlas of Petromodernity tackles the contradictory ambivalences of a substance that has been vital for our epoch, and whose roles and meanings need to be understood in order to be able to leave this epoch behind.
Open Access
The Diagrammatics of ‘Race’: Visualizing Human Relatedness in the History of Physical, Evolutionary, and Genetic Anthropology, ca. 1770-2020
(Open Book Publishers, 2024-07-30) Sommer, Marianne
This is the first book that engages with the history of diagrams in physical, evolutionary, and genetic anthropology. Since their establishment as scientific tools for classification in the eighteenth century, diagrams have been used to determine but also to deny kinship between human groups. In nineteenth-century craniometry, they were omnipresent in attempts to standardize measurements on skulls for hierarchical categorization. In particular the ’human family tree’ was central for evolutionary understandings of human diversity, being used on both sides of debates about whether humans constitute different species well into the twentieth century. With recent advances in (ancient) DNA analyses, the tree diagram has become more contested than ever―does human relatedness take the shape of a network? Are human individual genomes mosaics made up of different ancestries? Sommer examines the epistemic and political role of these visual representations in the history of ‘race’ as an anthropological category. How do such diagrams relate to imperial and (post-)colonial practices and ideologies but also to liberal and humanist concerns? The Diagrammatics of 'Race' concentrates on Western projects from the late 1700s into the present to diagrammatically define humanity, subdividing and ordering it, including the concomitant endeavors to acquire representative samples―bones, blood, or DNA―from all over the world. Contributing to the ‘diagrammatic turn’ in the humanities and social sciences, it reveals connections between diagrams in anthropology and other visual traditions, including in religion, linguistics, biology, genealogy, breeding, and eugenics.
Open Access
Pray for Brother Alexander
(punctum books, 2018-04-04) Noica, Constantin
Constantin Noica’s (1909–1987) Pray for Brother Alexander is a meditation on responsibility, freedom, and forgiveness. On the surface, the book describes events and people from Noica’s life during his time in a political communist prison in Romania. However, the volume is not a historical account only, but rather an honest introspection into how a human being may keep sanity when everything around him makes no sense. Unlike his famous Romanian contemporaries, scholar Mircea Eliade, dramatist Eugène Ionescu, and philosopher Emil Cioran, who lived abroad, Constantin Noica did not leave communist Romania. Considered an “anti-revolutionary” thinker, Noica was placed under house arrest in Câmpulung-Muscel between 1949 and 1958. In 1958, he was sentenced to 25 years in prison. He was released after 6 years, and Pray for Brother Alexander covers his experiences during this time. In his writings, Noica rekindles universal themes of philosophy, but he deals with them in a profoundly original manner, based on the culture in which he lived and for which he also suffered persecution. The volume will be of great of interest to scholars and students in history of philosophy and continental philosophy, but also to people interested in the recent history of Eastern Europe and the political persecution that took place after WWII in those countries.
Open Access
Museum of Nonhumanity
(punctum books, 2019-05-28) Gustafsson, Laura; Haapoja, Terike
Museum of Nonhumanity is the catalogue for a full-size touring museum that presents the history of the distinction between humans and animals, and the way that this artificial boundary has been used to oppress human and nonhuman beings over long historical periods. Throughout history, declaring a group to be nonhuman or subhuman has been an effective tool for justifying slavery, oppression, medical experimentation, genocide, and other forms of violence against those deemed “other.” Conversely, differentiating humans from other species has paved the way for the abuse of natural resources and other animals. Museum of Nonhumanity approaches animalization as a nexus that connects xenophobia, sexism, racism, transphobia, and the abuse of nature and other animals. The touring museum hosts lecture programs in which local civil rights and animal rights organizations, academics, artists, and activists propose paths to a more inclusive society through intersectional approaches. The museum also hosts a pop-up book shop and a vegan café. As a temporary, utopian institution, Museum of Nonhumanity stands as a monument to the call to make animalization history.
Open Access
Anthropocene Unseen: A Lexicon
(punctum books, 2020-02-07) Howe, Cymene; Pandian, Anand
The idea of the Anthropocene often generates an overwhelming sense of abjection or apathy. It occupies the imagination as a set of circumstances that counterpose individual human actors against ungraspable scales and impossible odds. There is much at stake in how we understand the implications of this planetary imagination, and how to plot paths from this present to other less troubling futures. With Anthropocene Unseen: A Lexicon, the editors aim at a resource helpful for this task: a catalog of ways to pluralize and radicalize our picture of the Anthropocene, to make it speak more effectively to a wider range of contemporary human societies and circumstances. Organized as a lexicon for troubled times, each entry in this book recognizes the gravity of the global forecasts that invest the present with its widespread air of crisis, urgency, and apocalyptic possibility. Each also finds value in smaller scales of analysis, capturing the magnitude of an epoch in the unique resonances afforded by a single word. The Holocene may have been the age in which we learned our letters, but we are faced now with circumstances that demand more experimental plasticity. Alternative ways of perceiving a moment can bring a halt to habitual action, opening a space for slantwise movements through the shock of the unexpected. Each small essay in this lexicon is meant to do just this, drawing from anthropology, literary studies, artistic practice, and other humanistic endeavors to open up the range of possible action by contributing some other concrete way of seeing the present. Each entry proposes a different way of conceiving this Earth from some grounded place, always in a manner that aims to provoke a different imagination of the Anthropocene as a whole. The Anthropocene is a world-engulfing concept, drawing every thing and being imaginable into its purview, both in terms of geographic scale and temporal duration. Pronouncing an epoch in our own name may seem the ultimate act of apex species self-aggrandizement, a picture of the world as dominated by ourselves. Can we learn new ways of being in the face of this challenge, approaching the transmogrification of the ecosphere in a spirit of experimentation rather than catastrophic risk and existential dismay? This lexicon is meant as a site to imagine and explore what human beings can do differently with this time, and with its sense of peril.
Open Access
Barton Myers: Works of Architecture and Urbanism
(punctum books, 2019-07-05) Miller-Fisher, Kris; Gibbs, Jocelyn
Drawing on the vast archival resources of its Architecture and Design Collection, the UCSB Art, Design & Architecture Museum (University of California, Santa Barbara) presents an assessment of 50 years of design by Barton Myers (b. 1934), beginning with his work in the Toronto firm A.J. Diamond and Barton Myers (1967–1975) to his own offices in Toronto and Los Angeles, Barton Myers Associates (1975–present). Myers’s strongest architectural ideas come out of the planning strategies of his early neighborhood activism in 1970s Toronto, his grounding in history, and his training in the classical traditions of site and space planning. Barton Myers is an avowed urbanist—a self-described radical in his early advocacy of old-fashioned qualities like density, mixed-use of new and re-purposed materials, and contextual planning in the late 1960s when that fundamentally conservative position was considered counter-culture. Myers’ urban manifesto was codified in “Vacant Lottery,” the title of the Design Quarterly issue co-edited by Myers and Canadian architect and educator George Baird in 1978 and which led to a renewal of interest in urban planning and offered a strategy for increasing population densities within cities while preserving the existing residential fabric. The term lived on long past the journal’s circulation cycle as both an urban infill strategy and an acknowledgment of the ceding of city planning responsibility to the “lottery” of private developers. Myers’s design practice has thus always been a social justice practice as well. Myers is also a brilliant designer of residential houses that take advantage of local landscape contexts and adaptive reuse of building materials, including steel and glass. Five essays – on urban planning, civic structures, reuse of historic buildings, single- and multi-family housing, and theaters – reinforce Myers’s commitment to urbanism and reveal his flexibility with modes of modernism. Natalie Shivers introduces the early planning work in Toronto and traces the “vacant lottery” idea of neighborhood infill to the influential Grand Avenue project in Los Angeles. Howard Shubert examines the architectural and planning strategies, and political complexities, of several civic structures in Canada and the United States. Luis Hoyos explores Myers’s additions and adaptations to historic buildings in diverse urban contexts. Lauren Bricker focuses on the use of steel and other industrial materials in Myers’s houses and analyses the neighborhood-based designs of his multi-family housing. Charles Oakley describes the technical innovations, site planning, and historical underpinnings of Myers’s theaters and performance complexes.
Open Access
Social Media in Higher Education: Case Studies, Reflections and Analysis
(Open Book Publishers, 2019-06-30) Rowell, Chris
How does social media affect working life in Higher Education? How are universities harnessing its power to aid student learning? This innovative collection brings together academics and those working in professional services to examine these questions and more. The diverse and expert contributors analyse the many ways social media can be used to enhance teaching and learning, research, professional practice, leadership, networking and career development. The impact of social media is evaluated critically, with an eye both to the benefits and the problems of using these new forms of digital communication. This is the first volume to give such detailed attention to this area of high interest. Its innovative approach extends to its creation, with contributors found via their presence on Twitter. The short and impactful chapters are accessible while retaining an academic focus through their application of relevant learning theory and educational context. Social Media and Higher Education is essential reading for any professional working in higher education, including lecturers teaching education courses. It is also significant for researchers looking at more recent developments in higher education and what it means to work in a modern higher education environment.
Open Access
Œ Case Files, Vol. 01
(punctum books, 2021-05-13) Ferracina, Simone
Over the past ten years, Organs Everywhere (Œ) has promoted conversations that approach architectural design from the edges of the discipline — testing its boundaries, technologies, methods and (e)valuation systems, and keeping them unstable. It has valued transdisciplinary, speculative and irreverent explorations over strict publishing formats and academic purity, promoting a profanatory and open-ended ethos. Each issue has strung together disparate organs and limbs, activating precarious couplings and associations, and testing new metabolisms and assemblages. And so does the first volume of Œ Case Files continue its commitment to the making and unmaking of monsters, both by anthologising past contributions into fresh configurations and designs, and by combining them with entirely new articles and voices. Here, philosophers, designers, experimental architects, artists, science fiction writers, activists, and poets shift, expand and re-imagine notions of space, time, inhabitation, technology, knowledge, use, value and experience. A patchwork of essays, stories, design experiments, buildings, art installations, drawings, prose poems, photographs and speculative projects collide in the book, infecting simple disciplinary orthodoxies with doubt and potentials, uncertainty and hope — indecisive photons and softness; metatactility and haunted houses; neurodiversity and protocells; prosthetics, grease and darkness; post-human scenographies, software and GPS anklets; anthropocenic devices, paprika and synthetic biology.
Open Access
Seabirds in the North-East Atlantic: Climate Change Vulnerability and Potential Conservation Actions
(Open Book Publishers, 2023-08-08) Häkkinen, Henry; Petrovan, Silviu O.; Sutherland, William J.; Pettorelli, Nathalie; Taylor, Nigel G.
This book was produced by the Zoological Society of London and the University of Cambridge with two aims: to assess seabirds’ vulnerability to climate change in the North-East Atlantic, and to identify potential conservation actions that could reduce this vulnerability. 'Seabirds in the North-East Atlantic' collates information from the scientific literature, non-governmental organisations’ reports, conservation practitioner input and online databases into a single volume, and provides a reference manual to assist conservation planning. It is intended to be used by anyone who wishes to identify climate change threats to seabirds; to compare threats between different areas of the North-East Atlantic; to start a quantitative climate change vulnerability assessment for a local population; or to review options for conservation action in response to climate change. This book stems from research published in December 2022, but assessments may be updated based on feedback and newly available information. To check for updates to our assessments, please visit our website at: www.ZSL.org/seabird-guidelines.
Open Access
The Event of Art
(punctum books, 2020-09-03) Lafia, Marc
The Event of Art presents, in fifty-two modular chapters and over eight hundred pages and images, the works of artist Marc Lafia. The book interweaves essays, notes, photographic archives, and a host of exhibitions wherein Lafia traverses his wide body of work and examines how his early strategies of cultural reading of photography and film, of interface, network culture, and social media, transform into an investigation of materiality itself. If his interest was once the way media becomes the message, his interest later becomes the realm of the sensible and the sensate in themselves. Here he presents art as the medium itself, giving us wide permission to explore and examine our deepest feelings and senses, our world and its becoming. The book is introduced by two essays. The first is by curator and art dealer Mathieu Borysevicz, where he recounts meeting Lafia at his first artist residency, and the many projects they would go on to do together. He introduces Lafia’s interest in recording as it becomes digital and computational where "recording is not only memory, and a data structure, but a permutational instrument and ever-changing horizon of iterations.” The other introductory essay is by critic Daniel Coffeen, who writes, "while Lafia may not have a traditional medium – there is no such thing anymore – he does in fact have one consistent medium: imaging making itself, its apparati of creation, consumption, and circulation. In fact Lafia’s medium is the discourse of art – what it is, how it comes to be, how we experience it.” The Event of Art presents the work of art as a complex material and societal event. The event is multiple, a continual becoming of perception, being, materiality, participation, a coming to the senses and the making, shaping and opening to them, not only of one’s self, but the world becoming.
Open Access
Athens and the War on Public Space: Tracing a City in Crisis
(punctum books, 2018-04-20) Brekke, Klara Jaya; Filippidis, Christos; Vradis, Antonis
Sometimes, the maelstrom of a crisis can be captured in a single image. The image of the mundane, barely noticeable movement of an urban dweller as they go about their everyday life. Athens and the War on Public Space commences from images just like this one, collected over a two-year period of research (2012–2014) in Athens during a time of severe financial and political crisis. For the author-curators of this volume, public space became a light-sensitive surface upon which they could begin to map the material imprints of the most structural and violent characteristics of the crisis, and their research spread in different directions, tracking the role of infrastructure and the shifts the financial crisis brought about upon built environments, the violent manifestations of the official anti-migrant policy, the rise of racism, the imposition of the emergency upon public space, and the phenomenology of mass transit.
Open Access
From Dust to Digital: Ten Years of the Endangered Archives Programme
(Open Book Publishers, 2015-02-16) Kominko, Maja
Much of world’s documentary heritage rests in vulnerable, little-known and often inaccessible archives. Many of these archives preserve information that may cast new light on historical phenomena and lead to their reinterpretation. But such rich collections are often at risk of being lost before the history they capture is recorded. This volume celebrates the tenth anniversary of the Endangered Archives Programme at the British Library, established to document and publish online formerly inaccessible and neglected archives from across the globe. From Dust to Digital showcases the historical significance of the collections identified, catalogued and digitised through the Programme, bringing together articles on 19 of the 244 projects supported since its inception. These contributions demonstrate the range of materials documented — including rock inscriptions, manuscripts, archival records, newspapers, photographs and sound archives — and the wide geographical scope of the Programme. Many of the documents are published here for the first time, illustrating the potential these collections have to further our understanding of history.
Open Access
Resistance
(punctum books, 2021-12-02) Stamenkoviç, Marko
esistance features a selection of overtly non-conformist positions in the contemporary visual art scene of Albania vis-à-vis the most recent social, political, and economic turmoils in the Western Balkans – a region marked by the dark side of political governances that have remained “democratic” in their outward appearance (especially toward the European Union), while dramatically leaning toward autocratic regimes in the eyes of their own citizens. Regardless of their citizens’ primary interests, and despite some positive signals surfacing in the international media, almost every attempt to establish lasting conditions for democratic governance in the Western Balkans has been shrouded in the veil of profit-driven political scandals, personal greed for more and more power over the people’s rights, and the extinction of public property in pursuit of social elite’s corporate and private interests. Additionally, and more specifically related to Tirana, artists and citizens have, over the years, been involved in various types of revolt, expressing their disagreements with the ongoing destruction of public property in the name of “modernization and development”: a movement led by local political powers through financially and strategically motivated processes of architectural cannibalism – not only at the expense of erasing Albanian cultural heritage or long-term residents’ habitats, but also at the expense of taking human lives under the pretext of “urbanization.” The most obvious instance of this economy of destruction was the complex of buildings linked to the National Theater of Albania in downtown Tirana that has served as a symbolic and material place of citizens’ resistance: for more than two years, together with local artists, they have been opposing the government’s plans to demolish the old complex in order to build a new one – until this finally happened in Spring 2020, in the midst of the ongoing COVID19 pandemic. Rooted in the atmosphere of the National Theater Protests in Tirana, RESISTANCE was conceived in Summer 2019 by ZETA Center for Contemporary Art as the International Artists-in-Residence Program, in cooperation with three partner organizations from Kosovo, Serbia and North Macedonia (Stacion – Center for Contemporary Art in Prishtina; Ilija & Mangelos Foundation in Novi Sad; and Faculty of Things That Can’t Be Learned in Bitola) and supported by Swiss Cultural Fund in Albania, a project of the Swiss Agency for Development and Cooperation. Gradually, the project expanded into an exhibition (Heterotopias of Resistance, curated by Blerta Hoçia and featuring works by Lori Lako, Fatlum Doçi, Edona Kryeziu, Nina Galiç, Darko Vukiç, Nikola Slavevski, and Natasha Nedelkova) and a series of interviews and panel discussions (with contributions by Lindita Komani, Edmond Budina, Ervin Goci, Ergin Zaloshnja, Pleurad Xhafa, Gentian Shkurti, Stefano Romano, Luçjan Bedeni, HAVEIT, Leonard Qylafi, Jonida Gashi, and Fatmira Nikolli). The results of both have been collected and presented in the format of a publication that, besides serving as an indispensable reading material concerning visual arts and politics in contemporary Albania, especially to those abroad, functions by itself as a form of resistance against contagious cultural policies in weak post-socialist “democracies” in Southeastern Europe.
Open Access
Christina McPhee: A Commonplace Book
(punctum books, 2017-10-17) Joy, Eileen A.
Christina McPhee’s ‘commonplace book’ draws from a palimpsest of handwritten notes, lists, quotations, bibliographic fragments, and sketches, from an artist whose voracious reading practice is a direct feed into her life and art — all set to a visual and textual design-as-score, as prominent writers on painting, media arts, performance, video installation and poetics engage with her ‘open-work’ practice. Christina McPhee’s images move from within a matrix of abstraction, shadowing figures and contingent effects. The tactics of living are in subterfuge, like the dazzle ships of camouflage in war. This ‘commonplace book’ develops a view of recent work in collaged paintings, drawings, photomontage and video installation, around themes of environmental transformation and ‘post-natural’ community.