Thoth Archiving Network Pilot at Cambridge
Cambridge University Library (CUL) is piloting participation in the Thoth Archiving Network, which will allow small presses to use a simple deposit option to archive their publications in multiple repository locations, creating the opportunity to safeguard against the complete loss of their open books catalogue, should they cease to operate.
This is a pilot repository site hosting open access books by a range of publishers depositing content in Thoth. This site is maintained and managed by the Open Research Systems Team at Cambridge University Library (CUL).
More information about this pilot and the Open Book Futures Project is available at this page.
Open Book Futures
Recent Submissions
100 Chinese Silences
(punctum books, 2024-10-05) Yu, Timothy
There are one hundred kinds of Chinese silence: the silence of unknown grandfathers; the silence of borrowed Buddha and rebranded Confucius; the silence of alluring stereotypes and exotic reticence. These poems make those silences heard. Writing back to an “orientalist” tradition that has defined modern American poetry, these 100 Chinese silences unmask the imagined Asias of American literature, revealing the spectral Asian presence that haunts our most eloquent lyrics and self-satisfied wisdom. Rewriting poets from Ezra Pound and Marianne Moore to Gary Snyder and Billy Collins, this book is a sharply critical and wickedly humorous travesty of the modern canon, excavating the Asian (American) bones buried in our poetic language.
Insolubles: Critical Edition with English Translation
(Open Book Publishers, 2024-10-17) Segrave, Walter; Bartocci, Barbara; Read, Stephen
Paradoxes, such as the Liar (‘What I am saying is false’), fascinated medieval thinkers. What I said can’t be true, for if it were, it would be false. So it must be false—but then it would be true after all. Attempts at a solution to this contradiction led such thinkers to develop their theories of meaning, reference and truth.
A popular response, until it was attacked at length by Thomas Bradwardine in the early 1320s, was to dismiss such self-reference as impossible: no term (here, ‘false’) could refer to (or in medieval terms, “supposit for”) a whole, e.g., a proposition, of which it is part.
In light of Bradwardine’s criticisms, Walter Segrave, writing around 1330, defended so-called restrictivism (restrictio) by claiming that such paradoxes exhibited a fallacy of accident. The classic example of this fallacy, the first of Aristotle’s fallacies independent of language, is the Hidden Man puzzle: you know Coriscus, Coriscus is the one approaching, but you don’t know the one approaching since, e.g., he is wearing a mask. But Aristotle’s account is unclear and Segrave, building on ideas of Giles of Rome and Walter Burley, shows how the fallacy turns on an equivocation over the supposition of the middle term or one of the extremes in a syllogism. Thereby, Segrave is able to counter Bradwardine’s arguments one by one and defend the restrictivist solution. In this volume, Segrave’s text is edited from the three extant manuscripts, is translated into English, and is preceded by a substantial Introduction.
Rāgs Around the Clock: A Handbook for North Indian Classical Music, with Online Recordings in the Khayāl Style
(Open Book Publishers, 2024-10-02) Clarke, David; MUSIC_Rajput, Vijay
Rāgs Around the Clock is a rich and vibrant compendium for the discovery and study of North Indian classical music. The theory and practice of rāg are explored through two interlinked resources: a handbook of essays and analyses offering technical, historical, cultural and aesthetic perspectives; and two online albums – Rāg samay cakra and Twilight Rāgs from North India – featuring khayāl singer Vijay Rajput and accompanists.
Extracts from the albums are also embedded into the text to enhance learning and understanding. Each rāg is accompanied by a description of its chief characteristics and technical features, a notation of the song (bandiś) on which the performance is based, and a transliteration and translation of the song text. Distinctively, Rāg samay cakra also includes spoken renditions of each of the texts, helping non-Hindavi speakers to achieve the correct pronunciation.
Sharing insights from both theory and practice, this collection draws on recent scholarship while also showcasing the vocal idiom – the gāyakī – of Vijay Rajput, a disciple of the late Pandit Bhimsen Joshi. It offers invaluable reading for students and researchers of Indian classical music, world music and ethnomusicology, and a rich repository for teacher and student practitioners of the khayāl vocal style. The combination of an aural and written exploration of rāg will appeal to anyone drawn to this form of music – whether newcomer, student (śiṣyā) or aficionado (rasika).
Nouvelles études sur les lieux de spectacle de la première modernité
(Open Book Publishers, 2024-10-08) Leichman, Jeffrey M.; Beaucé, Pauline
Les théâtres du passé : des théâtres virtuels ? C’est une des questions passionnantes explorée dans ce livre par des chercheurs et chercheuses en littérature, musicologie, histoire, études théâtrales, histoire de l’art, architecture et sciences du numérique. Ces Nouvelles études sur les lieux de spectacle de la première modernité proposent de relever un défi épistémologique autour de la notion de virtuel pour la recherche en histoire du théâtre en engageant différents formats de réflexion : entretiens, articles multimédia, brèves de méthodologie, exposition virtuelle. L’objectif de ce volume est de situer le lieu de spectacle aussi largement que possible au carrefour des imaginaires et de ses usages pratiques. Ancrées dans le concret des archives, les contributions s’inscrivent dans la volonté d’un renouveau interprétatif en partant d’hypothèses rendues possibles par des perspectives contemporaines - nouvelles technologies, revalorisation d’objets autrefois jugés mineurs, intérêt pour les approches contrefactuelles. La diversité des objets de recherche, des méthodes et des résultats rassemblés éclaire non seulement l’histoire matérielle des spectacles de la première modernité, mais illustre aussi la nécessité de croiser les approches scientifiques pour renouveler la compréhension et la transmission des pratiques culturelles du passé.
Redacted: Writing in the Negative Space of the State
(punctum books, 2024-10-27) Min, Lisa; Billé, Franck; Makley, Charlene
When it comes to the political, acts of redaction, erasure, and blacking out sit in awkward tension with the myth of transparent governance, borderless access, and frictionless communication. But should there be more than this brute juxtaposition of truth and secrecy?
Redacted: Writing in the Negative Space of the State brings together essays, poems, artwork, and memes – a bricolage of media that conveys the experience of living in state-inflected worlds in flux. Critically and poetically engaging with redaction in politically charged contexts (from the United States and Denmark to Russia, China, and North Korea), the volume closely examines and turns loose this disquieting mark of state power, aiming to trouble the liberal imaginaries that configure the political as a left–right spectrum, as populism and nationalism versus global and transnational cosmopolitanism, as east versus west, authoritarianism versus democracy, good versus evil, or the state versus the people – age-old coordinates that no longer make sense. Because we know from the upheavals of the past decade that these relations are being reconfigured in novel, recursive, and unrecognizable ways, the consequences of which are perplexing and ever evolving.
This book takes up redaction as a vital form in this new political reality. Contributors both critically engage with statist redaction practices and also explore its alluring and ambivalent forms, as experimental practices that open up new dialogic possibilities in navigating and conveying the stakes of political encounters.
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