Psychological Perspectives on Musical Experiences and Skills: Research in the Western Balkans and Western Europe

dc.contributorEDITOR: Bogunović, Blanka; orcid: https://orcid.org/0000-0002-9235-8389; University of Arts in Belgrade
dc.contributorEDITOR: Timmers, Renee; orcid: https://orcid.org/0000-0002-1981-0834; University of Sheffield
dc.contributorEDITOR: Nikolić, Sanela; orcid: https://orcid.org/0000-0003-3061-9317; University of Arts in Belgrade
dc.contributor.editorBogunović, Blanka
dc.contributor.editorTimmers, Renee
dc.contributor.editorNikolić, Sanela
dc.date.accessioned2024-07-08T08:14:51Z
dc.date.available2024-07-08T08:14:51Z
dc.date.issued2024-06-20
dc.date.updated2024-07-08T08:14:50Z
dc.descriptionPublication status: ACTIVE
dc.description.abstractPsychology of Music is a flourishing area of research in the Western Balkans. However, much of its findings and insights have remained relatively unknown outside the region. Psychological Perspectives on Musical Experiences and Skills features recent research from the Western Balkans, foregrounding its specific topics, methods, and influences, and bringing it into productive conversation with complementary research from Western Europe and further afield. The essays in this collection investigate the psychology of listening and performance and their relevance to music practice. Employing a range of research methodologies, they address divergent themes, from a cross-cultural understanding of aesthetic experiences and innovations to attract new audiences, to developmental perspectives on musical growth and the challenges of mastering performance skills. Authors reflect independently and collaboratively on how these psychological processes are shaped by the different traditions and geopolitical conditions inside and outside the Western Balkans. The result is a volume that emphasizes how musical experiences and practices happen not in isolation but in socio-cultural environments that contribute to their definition. This work will appeal to musicians, music educators, students, researchers, and psychologists with an interest in the psychology of music and exemplify ways forward in decolonizing academia.
dc.description.versionVoR
dc.identifier.doihttps://doi.org/10.11647/OBP.0389
dc.identifier.isbn9781805112181
dc.identifier.isbn9781805112198
dc.identifier.isbn9781805112204
dc.identifier.isbn9781805112235
dc.identifier.isbn9781805112211
dc.identifier.otherfa7895bf-22f2-4a9f-8361-8e74c9798670
dc.identifier.urihttps://thoth-arch.lib.cam.ac.uk/handle/1811/720
dc.languageENG
dc.publisherOpen Book Publishers
dc.rights.urihttps://creativecommons.org/licenses/by-nc/4.0/
dc.subject1DD
dc.subjectAVA
dc.subjectJHMC
dc.subjectJMAN
dc.subjectLAN004000
dc.subjectMUS000000
dc.subjectMUS015000
dc.subjectPSY030000
dc.subjectSOC053000
dc.subjectGTM
dc.subjectJMB
dc.subjectAnthropology, Archaeology and Religion
dc.subjectEuropean Studies
dc.subjectPerforming Arts
dc.subjectAesthetic Experiences
dc.subjectCreative, Performance and Listening Skills
dc.subjectCross-cultural studies
dc.subjectMusical audiences
dc.subjectMusic Appreciation
dc.subjectMusic education and expertise
dc.subjectMusicians’ personality, motivation and well-being
dc.subjectMusic perception and cognition
dc.subjectMusic preferences
dc.subjectPerformance Skills
dc.subjectPsychology of Music
dc.subjectSocio-cultural context
dc.subjectWestern Balkans
dc.subjectWestern Europe
dc.titlePsychological Perspectives on Musical Experiences and Skills: Research in the Western Balkans and Western Europe
dc.typehttp://purl.org/coar/resource_type/c_2f33
dcterms.accessRightsEmbargo: none

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