The Pandemic Visual Regime: Visuality and Performativity in the Covid-19 Crisis

dc.contributorEDITOR: Ramírez-Blanco, Julia; orcid: https://orcid.org/0000-0001-5068-4613; Universidad Complutense de Madrid
dc.contributorEDITOR: Spampinato, Francesco; orcid: https://orcid.org/0000-0002-8098-2838; Università di Bologna
dc.contributor.editorRamírez-Blanco, Julia
dc.contributor.editorSpampinato, Francesco
dc.date.accessioned2024-05-23T13:02:15Z
dc.date.available2024-05-23T13:02:15Z
dc.date.issued2023-11-09
dc.date.updated2024-05-23T13:02:15Z
dc.descriptionPublication status: ACTIVE
dc.descriptionFunder: Ministerio de Ciencia e Inovación; ror: https://ror.org/05r0vyz12; Grant(s): RYC2021-033703-I
dc.descriptionFunder: European Union; ror: https://ror.org/019w4f821
dc.descriptionFunder: Ministerio de Ciencia e Inovación; ror: https://ror.org/05r0vyz12; Grant(s): MCIN/AEI/10.13039/501100011033
dc.descriptionFunder: Agencia Statal de Investigación; Grant(s): AEI/10.13039/501100011033
dc.description.abstractThe Covid-19 pandemic has been expressed in various ways through visuality and performance, and some of its more nuanced cultural implications have taken place in a realm that goes beyond words. Through the exploration of the visual culture produced during and in response to the Covid-19 pandemic, The Pandemic Visual Regime: Visuality and Performativity in the Covid-19 Crisis highlights the key role played by images in shaping our understanding of the epochal transformations our society is undergoing. This book argues that visuality and its relationships with the performative have played such a significant role in the Covid-19 pandemic that we can even speak of the emergence of a “pandemic visual regime,” a new way of seeing and representing the world under this global emergency. Through an interdisciplinary framework, The Pandemic Visual Regime aims to answer an array of questions: In which ways have the effects of the pandemic been racialized, thereby reinforcing white supremacy? How are our responses to Covid-19 shaped by the Hollywood “outbreak narrative” of films such as Contagion? How has design responded to our new pandemic needs? How have infographics affected our perception? In which new ways have we come to inhabit private, public, and virtual space? Regarding the latter, what changes have there been in the forms of digital surveillance? On the other side of the spectrum, what forms has mutual aid taken and what have been our forms of relating with nature, both during lockdown and after lockdown was over? All these questions open the field to rethinking the visuality of our post-pandemic zeitgeist.
dc.description.versionVoR
dc.identifier.doihttps://doi.org/10.53288/0448.1.00
dc.identifier.isbn9781685711245
dc.identifier.isbn9781685711252
dc.identifier.other3b817d8c-864e-4050-90e2-371c64a3e22e
dc.identifier.urihttps://thoth-arch.lib.cam.ac.uk/handle/1811/344
dc.languageENG
dc.publisherpunctum books
dc.rights.urihttps://creativecommons.org/licenses/by-nc-sa/4.0/
dc.subjectJFD
dc.subjectJFFC
dc.subjectMJCJ
dc.subjectMED022090
dc.subjectSOC052000
dc.subjectJBCC
dc.subjectJBFF
dc.subjectMJCJ4
dc.subjectanimal studies
dc.subjectCOVID-19
dc.subjectdigital culture
dc.subjectdystopia
dc.subjectfilm studies
dc.subjectperformance
dc.subjectsocial movements
dc.subjectspeculative design
dc.subjectvisual studies
dc.titleThe Pandemic Visual Regime: Visuality and Performativity in the Covid-19 Crisis
dc.typehttp://purl.org/coar/resource_type/c_2f33
dcterms.accessRightsEmbargo: none

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