Music, Religion and Politics at Worcester Cathedral, 680-1950

Abstract

This book provides a comprehensive history of music and liturgy at Worcester Cathedral, from its foundation in the seventh century to the mid-20th century. The author delves into how political shifts, public opinion, and national trends have influenced changes in the cathedral's practices over time, while also highlighting the distinct local dynamics at play.

The book captures the fluctuating significance of liturgy and music across different eras, from the strict, ritualistic practices of Benedictine monks to the rejection of ceremonial traditions by Interregnum Non-Conformists. It traces how the form of worship evolved in response to the beliefs of church leaders, leading to periods of decline and revival in the cathedral’s musical standards. Notably, the study explores Worcester’s role in the development of British polyphony up to the 14th century and the comforting role of the choir during World War I.

With a wealth of surviving Anglo-Saxon charters, medieval liturgical manuscripts, and unique polyphonic fragments, this volume offers rare insights into centuries-old practices. While it focuses on Worcester, the study reflects broader trends in English cathedral history, providing a vital resource for understanding the interplay of music, religion, and politics in the evolution of worship.