White, Ken2024-05-232024-05-232024-01-2997816857119629781685711979aa6c36bf-0d86-4768-8575-f4c630efdfa1https://doi.org/10.53288/0534.1.00https://thoth-arch.lib.cam.ac.uk/handle/1811/338Publication status: ACTIVEThe Getty Fiend, a contemporary medieval melodrama set in Los Angeles’s Getty Museum, takes the reader on a tour filled with rock stars and warrior-kings, werewolves and archivists, sartorial Huns and libertine saints, all seen through the keenly dramatic flair of a collector’s eye. A cinematic and labyrinthine take on pulp horror, Ken White’s screenplay-in-verse is a monster mash-up of forms and languages, facades and carnal catastrophes, archaic languages and misplaced rhetorics—a campy, fantastical gender-bending transformation into the inadvertently divine.https://creativecommons.org/licenses/by-nc-sa/4.0/DCFPOE005010POE0230401KBB-US-WPCADCCFYMVXQMBisclavretGetty MuseumLos Angelesmash-upmedieval literaturepost-medievalismwerewolveshttp://purl.org/coar/resource_type/c_2f332024-05-23